Inside This Issue

Authorised Beckett biographer James Knowlson shares previously unpublished insights into Beckett’s most famous play; Michael Coffey reviews two distinctive Beckett productions in New York City; Gabriel Quigley sits down with the artistic director of Company SJ, Sarah Jane Scaife; Rhys Tranter asks Beckett scholar Paul Stewart about his decision to appear in a production of Krapp’s Last Tape; Luz María Sánchez Cardona tells us what we can expect from the 4th Annual Samuel Beckett Society Conference in Mexico; Feargal Whelan reviews a production of How It Is from the Gare St Lazare Players; Gareth Mills joins an Editing Modernist Letters workshop at the University of Reading; Amanda Dennis reports back on the How It Is Symposium in Paris; Hannah Simpson attends an exhibition of Jasper Johns‘s work with a reading from Lisa Dwan; and James Brophy and Hannah Simpson review the third annual Samuel Beckett Society conference in Halifax, Nova Scotia.

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Rhys Tranter's avatar
Posted by:Rhys Tranter

Rhys Tranter is a writer and teacher based in Cardiff, Wales, UK. He is the author of Beckett's Late Stage (2018), and his work has appeared in the Times Literary Supplement, the San Francisco Chronicle, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature.

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